Writes & Bites

Writer ~ Artist ~ Foodie


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Writing Tips: Show, Don’t Tell

There is a common theme that appears on some of my critiqued work: “Show, don’t tell.”

These sixteen pages are so condensed with information that the pace is incredibly fast and often you resort to telling instead of showing (so you can skim over things briefly and move onto the next important event) which makes the story much less engaging; these sixteen pages should probably be expanded into three-times there current length, if not more. (from memoir critique, early 1st draft)

For a while, I had no idea what they meant. It took a lot of reading, Googling, and asking to figure it out. It’s such a common tip that you hear from amateur and professional writers alike. Every editor seems to scribble it in their red pen. Every blog, article, and writing magazine at some point shares advice on the infamous “Show, Don’t Tell.” It even has its own Wikipedia page!

What is “Show, Don’t Tell?”

The “Show, Don’t Tell” method of writing is when the writer is able to create a picture in the reader’s mind, to get away from the repetition of such empty words like went, big, or said.

It’s actually a simple concept. Ironically, the best way to explain it is to show, rather than tell, someone what it means, and I don’t think anybody’s done that better than Anton Checkhov:

Don’t tell me the moon is shining; show me the glint of light on broken glass.  – Anton Chekhov (source: Goodreads)

While “telling” can be useful, even necessary, most people don’t realize how vital “showing” is to an effective story, essay, or even a blog post. Showing allows the reader to follow the author into the moment, to see and feel and experience what the author has experienced. Using the proper balance of showing and telling will make your writing more interesting and effective.

For example, in my own work-in-progress memoir, I have instances (this is particularly heavy throughout the beginning) where I tell the reader that my relationship with my husband was bad, that we had fights all the time, that there was unhappy tension. However, the readers want to “see it” for themselves. Here’s an example of “Show, Don’t Tell” from my memoir.

     Alex had sent me flowers one day at work. It was really sweet and just the thing I was looking for to add a little romance back into our lives. All I wanted was for him to tell me that I mattered to him in some way. That night, we were headed to bed and he started fooling around. I wasn’t interested in sex and told him so. Immediately, he got angry, sat up in bed, yanking the sheets from my shoulders.

“I bought you flowers!” he yelled, baffled by my lack of interest in sex.

“Umm….okay…and I said thank you?” I was completely confused by his anger.

“That means you should have sex with me! I did what you wanted. I filled your love tank [that damn book again]. Now you should have sex with me.”

“Last I checked, Alex, it doesn’t quite work that way! Are you serious? I’m not some toy you can just use for your pleasure whenever you feel like it. One time of giving me flowers doesn’t make up for all the other crap. It takes time. Even the therapist said that.”

“But you’re my wife and whether you like it or not, you should perform your wifely duties. It’s your job to make me feel loved.” I was stunned speechless. Did he really just say that? I had no idea how to respond to that ridiculous statement. He really thought that after all the fighting, arguments, resentments that I was going to suddenly jump up and down for joy because he bought me flowers? He had another thing coming.

“Oh please. You have no idea what you’re talking about. I can’t just flick a switch and have sex. I have to desire to have sex with you again. Buying me flowers one time doesn’t mean all of a sudden I’m filled with desire. And what the hell are you talking about that it’s my wifely duties? Since when am I required to have sex with you? I’m supposed to do those things even though I don’t want to? You seriously think that?”

“Well…yes…I do. The Bible says that I’m the man of the household and you are supposed to do what I say, and that includes sex. The wife is supposed to submit to the husband in all things.”

“So you just want me to lay here like a lump on a log while you get off? I don’t fucking think so. You’re on your own, buddy!” I huffed angrily and rolled over in bed, hoping he could feel the ice emanating from my back. I trembled head to toe, a sinking pit in my stomach. The audacity! Furious and unable to sleep now, I flung the covers back, stomped into the bathroom and slammed the door, locking him out.

Oh, I Get It

This scene, where the two of us are in bed and he’s pushing me to give sex in exchange for flowers is an excellent example of showing the reader what our relationship was like, the details that made up the reality. There is dialogue, physical descriptions of what’s going on between us, interior monologue where I’m spitting mad.

When you show, you’re using words to create a scene that readers instantly visualize. Instead of intellectually registering what you’re telling them, they fully imagine what you’re showing them.

We can turn Checkhov’s explanation into a writing exercise in which we show, don’t tell readers our ideas:

Tell Show
I missed the bus.
I raced down the road, wildly waving my hands, and yelling, “Stop, stop,” but the bus traveled on down the road without stopping.
I was scared as I walked towards the haunted house.
The broken windows and creaking hinges made me tremble as I slowly crossed the shadowed yard towards the dilapidated house.
I am cold.
My teeth chattered as I blew warm breath on my numb fingers.
My friend is a very good artist.
My pleasure grew as I slowly examined one masterpiece after another. Why, George, you’re work could be shown at the Gallery of Fine Arts!
My coat is too small.
As I tried to twist my arms out of my jacket I thought I was going to pull my shoulders out of their sockets.

Now you try it. Think of some simple ideas that you could show readers instead of telling them. Feel free to share them in the comments.

Are there any writing tips that you hear frequently but don’t quite grasp? Share your thoughts and questions by leaving a comment, and make sure when you’re writing, you show, don’t tell.

cover letter


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8 Tips on How to Write a Literary Submission Cover Letter

I hate writing cover letters. Yesterday, I submitted a poem for an inaugural issue of a literary publication. The submission guidelines stated that a cover letter wasn’t necessary or required, but I didn’t feel right submitting the poem without something. It’s like calling someone and not bothering to say hello or identify yourself before launching into the conversation. Let the hair pulling commence!

When it comes to writing, I’m a perfectionist (okay, perfectionist in everything, not just writing, but that’s besides the point). I want to say the exact right thing that will land my work in their publications. I’m sure you do, too!

Submitting your work for publication isn’t that different from applying for a job. You want to put your best, professional foot forward. However, the most important thing in literary submissions is the writing itself. While you want to strike the right tone as you introduce yourself and your work, cover letters shouldn’t eat up too much of your time (yeah, right). So how do you pull this off?

I googled and read a multitude of ways to write your cover letter for literary submissions and discovered that they all shared similar important points.

1. Format the letter correctly. This is really important. While your writing may be the “new Shakespeare”, if you don’t format your writing properly it will cause too much distraction to the reader. And you don’t want them to miss your superior writing skills! Stick with the standard business letter format. In this example, everything is flush left with one space between paragraphs. Unless you have letterhead, which is not necessary, type your address followed by the date. Space down a line and list the name, title, and address of the person you’re writing. (Click the thumbnail, left, to enlarge this example of correct formatting.)

And as with anything you submit, use standard copy paper; type, don’t handwrite; and absolutely no illustrations.

2 . Address a specific person. Nothing’s worse than addressing a cover letter, “To Whom It May Concern.” Try and avoid it at all costs. These days, most editors are listed in the masthead on the journal’s website. Take five minutes to find a name. Even if you’re not positive that you have the right person, you’ll look more professional for having tried, and the letter will be forwarded to the correct editor.

3. K.I.S.S. Keep it simple and short. As with a job application, cover letters should not exceed one page. In your first paragraph, explain what you are sending. This can be as straightforward as: “Enclosed please find a short story, ‘Choose Me, Please!’ about a game show contestant with Jumping Frenchmen of Maine disease.” If you have a genuine reason for submitting to this journal, share it, but only if you can do so while sounding sincere.

4. Other first-paragraph info. If the journal prefers to be informed ahead of time about simultaneous submissions, address that issue briefly by saying something like, “I have submitted these to a few other publications and will let you know immediately if any are accepted elsewhere.” And if you’ve been invited to re-submit, definitely remind the editor that he or she has seen your work before.

5. Second paragraph, a short bio. Briefly introduce yourself to the editor. If you studied writing or have published before, state it here. If you haven’t, that’s fine, too. You just want to provide a context for what they’re about to read.

Keep in mind that many editors use this paragraph for the “Contributors’ Notes” at the end of the journal, so think about what you’d like listed at the back. You can read some sample bios here, or look at some journals to see what other writers have to say about themselves.

6. Close your letter politely. Thank the editor for reading your work, and close with the standard “Sincerely,” or “Best regards.” Leave four lines for your signature and then type your full name. For mailing, use a business-sized envelope. If your printer can handle envelopes, type the address, but it’s also fine to address the envelope by hand. Again, use the editor’s name here, either above the journal name or below the address. If you put it below, write, “Attn: [Insert Editor's Name].”

7. Include an SASE (if mailing your submission). Finally, be sure to include an SASE for a response. (It’s perfectly acceptable to fold the SASE in three so that it will fit easily.) To save postage, you might also request that they not return your story to you, writing in a postscript: “Please recycle this story rather than returning it to me.”

8. File your letters electronically. Keep your first letter as a template, making adjustments for each journal. If you plan to submit to a journal more than once, save that letter separately under the journal’s name. This saves you time if the story or poem gets accepted somewhere else and you have to write to withdraw your submission. In the beginning, you might try a few formulas and see what gets you results. But again, the writing is the important thing. You can have the best cover letter in the world, but it won’t get you anywhere without a great story to go along with it.

Do you have any suggestions or questions on writing a cover letter for literary submissions? I’d love to hear them!

heart book


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Discovering the Heart of Your Journals

As I write my memoir, The Good Wife: Escaping the Shadows of Expectations, my journals from a certain period in my life are invaluable resources. They help me remember little things I had forgotten that add impact to the story. It also establishes a timeline of when events occurred. It chronicles my thoughts, feelings, and emotions during that time.

There are moments, when reading the journals, that I gasp in surprise as I had forgotten a certain detail, event, or feeling. Then it all comes rushing back to me…the memories of that time. It evokes the memory enough that I can write it with clarity instead of a cloudy fog wondering if I got the event “right.” While you can take a tiny amount of literary license, it’s important when writing nonfiction and memoir, that you stay as close to the truth as possible (think James Frey). Journaling helps you do that. Without these journals, I would be gumming my pencils to nubs trying to recall this vast wealth of information.

In your journals are diamonds, just waiting for you to discover them and turn them into memoirs. But once you’ve gone through your journal entries and you know which ones you need for your memoir, what then? Those words and phrases are rough – not useful without the cleaning, polishing, and editing that will make them sparkle. You’ll need to uncover the truths hidden within your original, unpolished entries – truths that lie beneath the surface of your writing and reveal the heart of your story. How rough those memory diamonds are depends on how what and how much you included when you wrote those entries.

The memories from my journal help energize my memoir writing. Without my journals for my memoir, there would be a lack of depth and emotion. While I can remember things about that time in my life, I can’t remember every, single, little, speck-of-dust detail, emotion, and feeling. By combining what I remember with I’ve written, I achieve a deeper, richer story.

Amber Starfire, a blogger who writes about journaling on Women’s Memoirs, offers seven steps to uncovering the heart of your memoir. Check them out here. She provides an invaluable resource as to how to find those small diamonds and turn them into something much larger.

Discovering the heart of your story isn’t an easy process. It takes guts, determination, and desire. Amber’s seven steps, however, will help you work through the process of revealing your memoir.

Have you tried unearthing diamonds in your journals for a story? What were the results? Are there any methods or processes you would recommend?

journalin2


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100 Benefits of Journaling

Stress reduction:

  • Reduces the scatter in your life
  • Increases focus
  • Brings stability
  • Offers a deeper level of learning, order, action and release
  • Holds thoughts still so they can be changed and integrated
  • Processes your stuff in a natural and appropriate way
  • Releases pent-up thoughts and emotions
  • Empowers
  • Disentangles thoughts and ideas
  • Bridges inner thinking with outer events
  • Detaches and lets go of the past
  • Allows you to re-experience the past with today’s adult mind

Healing:

  • Heals relationships
  • Heals the past
  • Dignifies all events
  • Is honest, trusting, non-judgmental
  • Strengthens your sense of self
  • Balances and harmonizes
  • Recalls and reconstructs past events
  • Acts as your own counselor
  • Integrates peaks and valleys in life
  • Soothes troubled memories
  • Sees yourself as a larger, important, whole, and connected being
  • Leverages therapy sessions for better and faster results
  • Reveals and tracks patterns and cycles

Know yourself and your truth better:

  • Builds self-confidence and self-knowledge
  • Records the past
  • Brings out natural beauty and wisdom
  • Helps you feel better about yourself
  • Helps you identify your values
  • Reads your own mind
  • Aids in connecting causes to effects
  • Reveals the depths of who you are
  • Reveals outward expression of yet unformed inner impulses
  • Creates mystery
  • Clarifies thoughts, feelings and behavior
  • Reveals your greater potential
  • Shifts you to the observer, recorder, counselor level
  • Reveals your processes – how you think, learn, create and use intuition
  • Creates awareness of beliefs and options so you can change them
  • Self-discovery
  • Reveals different aspects of self
  • Helps you see yourself as an individual
  • Connects you to the bigger picture
  • Is a close, intimate, accepting, trusting, caring, honest, non-judgmental, perfect friend
  • Accesses the unconscious, subconscious and super consciousness
  • Finds the missing pieces and the unsaid
  • Helps rid you of the masks you wear
  • Helps solve the mysteries of life
  • Finds more meaning in life

Personal growth:

  • Enables you to live life to the fullest
  • Is fun, playful, and sometimes humorous
  • Plants seeds
  • Starts the sorting and grouping process
  • Integrates life experiences and learnings
  • Moves you towards wholeness and growth, to who you really are
  • Creates more results in life
  • Explores your spirituality
  • Focuses and clarifies your desires and needs
  • Enhances self-expression
  • Enhances career and community
  • Allows freedom of expression
  • Offers progressive inner momentum to static unrelated events
  • Exercises your mental muscles
  • Improves congruency and integrity
  • Enhances breakthroughs
  • Unfolds the writer in you
  • Maximizes time and business efficiency
  • Explores night dreams, day dreams, and fantasies
  • Measures and tracks what is important

Easier problem solving:

  • Eases decision making
  • Offers new perspectives
  • Brings things together
  • Shows relationships and wholeness instead of separation

It’s flexible and easy:

  • Can be applied to clarify any issue in your life
  • Takes so little time to stop, pay attention and listen to yourself
  • Meets your needs, style, processing methods
  • Caters to left and right brained people
  • Has no rules – messiness, typos, poor writing are all OK
  • Is often self-starting and motivating and supplies its own energy

Enhances intuition and creativity:

  • Improves self trust
  • Awakens the inner voice
  • Directs intention and discernment
  • Provides insights
  • Improves sensitivity
  • Interprets your symbols and dreams
  • Increases memory of events

Captures your life story:

  • Teaches you how to write stories
  • Soothes troubled memories
  • Captures family and personal story
  • Stimulates personal growth
  • Improves family unity

Do you have any to add that I missed? Do you agree or disagree with any of these benefits? What does journaling do for you? I’d love to know!

Monday, I’ll talk about how to find the heart of your memoir in your journals.

Source: John Robson and Patrice Steen, Copyright © 1998, 1999 Inspiration Information

journaling


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Journal Writing & Memoir: Using Your Journals For Research

I have over 30 journals chronicling my life from when I was seven years old to the present. Some are completely full. Some have only a handful of pages written upon. Some contain drawings, sketches, bits of a dried flower or two, a hand scrawled love note here and there, tear stains, angry pressured rants where the lines from the pen have dented the next few pages. There are prayers, conversations with God, joy and pain, despair and grace. They are my life in written word.

I laugh as I read the earliest ones with my one or two-line entries, “I love Geoff! He’s so hot.” Or “I hate school. I had a math test today.” Nothing inspiring, but it tells the story of my heart at the time. My heart aches as I read the later ones telling of my depression, anger at God, the bitter pain of divorce, the riotous conflict of an affair, the misery of miscarriage. I smile at the tender moments, the funny sarcasm recalling a night of passionate sex, a pointed commentary on my life.

Without those journals, I wouldn’t remember the majority of small and big instances that formed who I am today. The journals allowed me to express myself freely, without critics (except myself), and the freedom to run the gamut of emotions. Now, they offer the fodder for stories, memoirs, writing, articles, books. They provide the life lessons I pass down to other generations.

If you’re a memoir writer, your journals are goldmines in which the precious details of memory lie buried and waiting for excavation. If you’re lucky, and you’ve been a journal writer for some time, your past journal entries outline major events with concrete, sensory details, bits of setting and dialogue, and your emotional responses. But even if you didn’t write fill in all those details, your journal entries contain the kernels of your memories, and they will energize the memoir-writing process.  It is by combining what you’ve written with what you remember that you arrive at a deeper, richer story. It is by listening to what your story wants to tell you, that you are doing the real work of writing memoir.

Journal writing is not the same as writing a memoir. However, journal writing (yours or others’) can be a wonderful research tool. When you become aware of the value of your journals, you begin to write in them differently, recording more of your life.

How to use your journal for research:

Amber Lea Starfire, author of Writing Through Life blog, offers some great tips on how to use your journal for research:

Writing for the future — Amber wrote a list of Things You’ll Want to Include in your journal in a blog post over at WomensMemoirs.com, including a record of daily activities, thoughts and feelings about relationships and family events, local and national news (our lives are lived in the context of our social and political cultures), and internal influences (things that are changing the way you think or behave). Other ideas contributed by readers included TV shows, news about close friends, coincidences, and places they traveled. One person said that she created timelines of events for each month and year, categorized by areas of her life, such as “social,” “work,” and “spiritual,” so that she could track trends and progress.

If you review your past journal entries with an eye to writing about your life at that time, you’ll most likely wish that you’d included more information about some of the above items. And though it’s true that your time is limited and you can’t include everything in every entry, some of these things can be jotted in abbreviated form. Just enough to help you when mining your journal for stories later on in life.

Mining past entries — When using past journal entries as resources for memoir writing, look for the following kinds of information:

  • Information that informs scene: descriptions of your surroundings, the weather, who was there with you, action, and dialog, and evocative prose.
  • Information that informs reflection: how you felt about the events at the time, questions you may have had, hopes and fears expressed. What you knew then about what happened.
  • Information that informs context: surrounding journal entries (the before and after an event), political and social events, general emotional state.

On Friday, I’ll talk about 10o benefits of journaling. On Monday, I’ll share 7 steps of how to uncover the heart of your memoir from your journals.

Do you journal? Why or why not? What do you write in it? Is it a place to download your memories, or try out writing ideas? Do you draw, doodle, or vent? Is it a legacy keeper or a way to gather ideas for your memoir? I’d love to hear your thoughts!

 

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